SOLO EXHIBITIONS
2005 The Pink Empire, Hauser & Wirth, London
2004 Haswellediger & Co., New York
The Three Bears, Foundation 20 21, New York
Unusual Behavior, Galerie Georges-Philippe & Nathalie Vallois, Paris
2003 Galerie Hauser & Wirth, Zurich
2002 Galerie Senn, Vienna
Project Room: Richard Jackson, Galerie Georges-Philippe & Nathalie Vallois, Paris
BAWAG Foundation, Wien
1998 Deer Beer, Galerie Hauser & Wirth, Zurich
1997 Paint Ball, David Zwirner, New York
1994 Galerie zur Kastanienallee, Luekstadt
1993 BIGOILIDEAS, Galerie Spielvogel, Munich
1992 Big Confusing Ideas, Santa Monica Museum of Art, Santa Monica
1991 Confusing Ideas, Brigitte March Galerie, Stuttgart
1990 Rosamund Felsen Gallery, Los Angeles
1989 Installation und Bilder, Galerie Tschudi, Glarus
1988 Richard Jackson 1970-1988, The Menil Collection, Houston
1987 Good Deal, Robert Else Gallery, California State University, Sacramento
1986 Big Ordeals, Betsy Rosenfield Gallery, Chicago
1985 Artpark, Lewiston
1984 Big Ideals, Rosamund Felsen Gallery, Los Angeles
Untitled Construction, Rosamund Felsen Gallery, Los Angeles
1983 1000 Pictures, Daniel Weinberg Gallery, San Francisco
1981 Betsy Rosenfield Gallery, Chicago
Projekte, Galerie Maeght, Zurich
1980 Big Ideas, Galerie Maeght, Zurich
Forum Kunst, Rottweil
Big Ideas (1000 Pictures), Rosamund Felsen Gallery, Los Angeles
1979 D.A.A.D. Galerie, Berlin
Galerie Maeght, Zurich
1978 The Faith and Charity in Hope Gallery, Hope
Rosamund Felsen Gallery, Los Angeles
1977 Santa Ana College Art Gallery, Santa Ana
Fine Arts Gallery, University of California- Irvine
1976 Riko Mizuno Gallery, Los Angeles
University of California- Davis, Davis
Daniel Weinberg Gallery, San Francisco
1976-1982 Bedroom, environment created in Pasadena studio, Pasadena
1975 Galleria Bocchi, Milan
1974 California State University- Sacramento, Sacramento
Riko Mizuno Gallery, Los Angeles
Bykert Gallery, New York
1974-1975 Untitled, 1972, Installation for Permanent Collection, Los Angeles County Museum of Art
1973 Galerie Onnasch, Cologne
1970 Eugenia Butler Gallery, Los Angeles
1969 Eugenia Butler Gallery, Los Angeles
1968 Gallery 669, Los Angeles
1961 E.B. Crocker Art Museum, Sacramento

GROUP EXHIBITIONS
2005 Dyonisiac, organized by Christine Macel, Centre Pompidou, Paris
2004 Is there a curator to save the show? Galerie Georges-Philippe & Nathalie Vallois, Paris
Genesis, organized by Stephanie Moisdon-Trembley, Domaine de Pommery, Reims
2003 Home, Galerie Georges-Philippe & Nathalie Vallois, Paris
2002 Plus Ultra, Kunstraum Innsbruck, Innsbruck
What about Hegel (and You)? Brigitte March Galerie, Stuttgart
Iconoclash- Beyond the Image Wars, ZKM, Karlsruhe
House of Fiction, Sammlung 3, Sammlung Hauser & Wirth, St. Gallen
Ten Years Galerie Hauser & Wirth, Galerie Hauser & Wirth, Zurich
2001 Making the Making, organized by Charles Goldman, Apex Art, New York
2000 L.A.-ex, Museum Villa Stuck and Marstall, Munich
Los Angeles County Museum of Art, Los Angeles
1999 dAPERTutto, organized by Harald Szeemann, XLVIII Esposizione Internazionale d’arte, Venice Biennale, Venice
1998 Kunstausstellung Holderbank, Holderbank AG, Holderbank
1997 L’Autre, 4th Biennale d’Art Contemporain de Lyon, Lyon
1995 International Sculptors Symposium, Uludag University, Uludag
1994 Virtual Reality, National Gallery of Australia, Canberra
1993 Bright Light, Schloss Presteneck, Stein am Kocher
1992 Helter Skelter: L.A. Art in the 1990s, The Museum of Contemporary Art, Los Angeles
Force Sight, Schloss Presteneck, Steim am Kocher
1991 Quick Coagulation Forms the August Corpse, Rosamund Felsen Gallery, Los Angeles
1990 Past & Present: Selected Works by Gallery Artists, Rosamund Felsen Gallery, Los Angeles
California A to Z and Return, The Butler Institute of American Art, Youngstown
1989 Solitude Echos: Realisierte Projekte der Ausstellung Schloss Solitude- Plane und Projekte, 1986, Kunstverein Ludwigsburg Villa Franck, Ludwigsburg
1988 New Works on Paper, Rosamund Felsen Gallery, Los Angeles
Betsy Rosenfield Gallery, Chicago
Forty Years of Art, California State University- Sacramento, William H. Cook Gallery, Rancho Cordova
1987 The Great Drawing Show 1587-1987, Michael Kohn Gallery, Los Angeles
Betsy Rosenfield Gallery, Chicago
1986 Schloss Solitude- Plane und Projekte, Solitude Palace, Stuttgart
Betsy Rosenfield Gallery, Chicago
Point of View: Artworks from the Collection of Jeffrey Kerns, University Art Gallery, California State University, San Bernardino
1985 Fifty Years of American Drawings, 1930-1980, organized by The Menil Collection, Houston, for the Ecole des Beaux-Arts, Paris
Fifty Years of American Drawings, 1930-1980, organized by The Menil Collection, Houston, for the Stadtische Galerie im Stadelschen Kunstinstitut, Frankfurt
Buscaglia-Castellani Art Gallery, Niagara University, Niagara Falls
1985 Artpark Visual Arts Program, Artpark, Lewiston
1983 Summer Show, Rosamund Felsen Gallery, Los Angeles
1982 Exchange entre Artistes 1931-1982 Pologne-U.S.A., ARC Musee d’Art Moderne de la Ville de Paris, Paris
1981 The Museum as Site: 16 Projects, The Big Idea 2 (3000 Pictures), Los Angeles County Museum of Art, Los Angeles
California: A Sense of Individualism, L.A. Louver, Venice
Abstraction in Los Angeles, 1950-1980, Selections from the Murray and Ruth Gribin Collection, Fine Arts Gallery, University of California, Northridge
Abstraction in Los Angeles, 1950-1980, Selections from the Murray and Ruth Gribin Collection, Fine Arts Gallery, University of California, Irvine
1979 Wall Painting, Museum of Contemporary Art, Chicago
New York Now, Phoenix Art Museum, Phoenix
1978 Art about Art, Whitney Museum of American Art, New York
1977 Jack Barth, Richard van Buren, David Deutsch, Richard Jackson, James Reineking, Bell Gallery, List Art Building, Brown University, Providence
Rooms, Institute for Art and urban Resources, P.S. 1, New York
1976 California State University, Sacramento
DeAnza College, San Jose
Painting and Sculpture in California, San Francisco Museum of Modern Art, San Francisco
Painting and Sculpture in California, National Collection of Fine Arts, Washington
1975 Fundamental Painting, Stedelijk Museum, Amsterdam
Both Kinds: Contemporary Art from Los Angeles, University Art Museum, University of California, Berkeley
Current Concerns: Part I, Los Angeles Institute of Contemporary Art, Los Angeles
1974 Marco Leavin Gallery, Los Angeles
1972 Los Angeles ’72, Sidney Janis Gallery, New York
John Baldessari, Francis Barth, Richard Jackson, Barbara Munger, Gary Stephan, Contemporary Arts Museum, Houston
15 Los Angeles Artists, Pasadena Art Museum, Pasadena
1971 24 Young Los Angeles Artists, Los Angeles County Museum of Art, Los Angeles
The 32nd Biennial Exhibition of Contemporary American Art, The Corcoran Gallery of Art, Washington
1970 Photography into Sculpture, Museum of Modern Art, New York
1969 Indiana University Art Museum, Bloomington
Painting Invitational- Arts 1969 Festival, University of Nevada, Reno
Konzeption/Conception, Stadtisches Museum Schloss Morsbroich, Leverkusen

GRANTS AND AWARDS
1998 Louis Comfort Tiffany Grant
1988 Pollock-Krasner Foundation Grant
1979 D.A.A.D. Grant, Berlin

PERFORMANCES, LECTURES AND BROADCASTS
2000 De Nada, Circle Jerk (performance in L.A.-ex), Bayerisches Staatsschauspie/Marstall/Museum Villa Stuck, Munich

BIBLIOGRAPHY (selected)
2005 Richard Jackson (exh. cat.), Haswellediger, Nyehaus, Hauser & Wirth
2004 Lavrador, Judicael. Paintball. Les Inrockuptibles, March 17-23, 2004. No. 433, p. 105.
Rehberg, Vivian. Richard Jackson. Artforum on-line, ill.
2002 Latour, Bruno and Peter Weibel. Iconoclash: Beyond the Image Wars in Science, Religion, and Art. Cambridge: The MIT Press, 2002, pp. 597, 603, ill. (exhibition catalogue).
Unterdorfer, Michaela (ed.), The House of Fiction, Sammlung Hauser und Wirth / 3, Nurnberg, Verlag fur moderne Kunst, 2002, pp. 66-67, ill. exhibition catalogue.
Sommerzeit ade!, Linth Zeitung, Rapperswil, October 26, 2002, p. 36, ill.
Eine Stunde langer schlafen, Die Sudostschweiz, Glarus, October 26, 2002, p. 32, ill.
Schlocker, E. Ironische Grenzuberschreitungen. Tiroler Tageszeitung, vol. 58, No. 237-IA, October 11, 2002, p. 15, ill.
The House of Fiction in der Lokremise, Kunst-Bulletin, No. 6, June 2002, p. 71, ill.
Scheyerer, Nicole. Richard Jackson, Falter, No. 20, May 2002.
Dusini, Matthias. Bar im Ol. Falter, No. 21, May 2002, p. 60, ill.
The House of Fiction, Anzeiger von Uster, May 6, 2002, p. 21.
Kunst/Werk des Monats Mai, Richard Jackson und seine Skulptur “Two Heads.” www.magazine.orf.at/treff.kultur, May 4, 2002, ill.
Kunst feiert Kunst, Hauser & Wirth eroffnet Jubilaumsaustellung, Metropol, Zurich, January 18, 2002, ill.
2001 Hausler, Christa and Elisabeth Schweeger. L.A.-ex Performances, Salons Kunst, Wissenschaft/Salons, Art, Science. Ostfildern-Ruit, Hatje Cantz, 2001, pp. 81-91, ill.
2000 Schmid, Karlheinz. Rhein- und Rausland, Einkaufsparadies Art Cologne. Kunstzeitung, No. 52, December 2000, p. 6, ill.
Baumer, Dorothea. Koln ist ein guter, ein idealer Platz, Die 34, Art Cologne: Ein breites, animierendes Spektrum der Stile und Medien. Suddeutsche Zeitung, vol. 56, No. 255, November 6, 2000, p. 21, ill.
Kuhn, Nicola. Ode Cologne. Der Tagesspiegel, No. 17 225, November 7, 2000, p. 1.
Tholl, Egbert. Der Mensch und seine Maschine- Richard Jackson’s Malperformance “De Nada/Circle Jerk.” Suddeutsche Zeitung, May 30, 2000.
Steinberger, Petra. Krieg den Palasten, Friede den Surfern, Visionen einer stadt, die keine ist, Die Ausstellung “L.A.- ex” in der Villa Stuck in Munchen. Suddeustche Zeitung, No. 87, April 13, 2000, p. 17.
1999 Schwerfel, Heinz Peter. Biennale 99, Grosse Oper. Art, No. 8, August 1999, pp. 12-23, ill.
Haase, Amine. 48 Biennale von Venedig, Versohnung der Gegensatze. Kunstforum International, vol. 147, September-November 1999, pp. 150-160, ill.
Trager, Wolfgang. Biennale Venedig: dAPERTutto, Ein Foto-Rundgang von Wolfgang Trager. Kunstforum International, vol. 147, September-November 1999, pp. 174-266, ill.
1998 Galerie Hauser & Wirth. Richard Jackson, Deer Beer. Cologne: Oktagon, 1998, ill. (exhibition catalogue)
Maurer, Simon. Kunstler und Jager. Zuritip, October 30, 1998, p. 67, ill.
Thum, Alfred. Art Joncton 1998 in Nizza. Riviera-Cote d’Azur Zeitung, No. 5, May 1998, p. 4, ill.
Louvel, Henri. Art Joncton 98, une grande annee pour un Grand Crue nicois. Art Joncton Le Journal, No. 12, Spring 1998, pp. 1 + 3, ill.
Mack, Gerhard. Richard Jackson in der Galerie Hauser & Wirth. Kunst-Bulletin, No. 12, December 1998, p. 43, ill.
1997 The Louis Comfort Tiffany Foundation. 1997 Awards in Painting, Sculpture, Printmaking, Photography and Craft Media. New York: The Louis Comfort Tiffany Foundation, 1997, pp. 46-47.
Szeemann, Harald. 4e biennale d’art contemporain de Lyon: L’Autre. Lyon, France: Reunion des Musees Nationaux, 1997.
Turner, Grady T. Richard Jackson - David Zwirner. Flash Art, vol. 30, No. 197, November-December 1997, p. 112, ill.
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McFadden, Sarah. The ‘Other’ Biennial. Art in America, vol. 85, November 1997, pp. 84-91.
Blase, Christoph. “L’Autre.” Artforum, vol. 36, No. 2, October 1997, pp. 94-95, ill.
Douroux, Xavier. and Yves Aupetitallot. A propos de Harald Szeemann tentative d’epuisement de l’autre The Other, Every Which Way. Art Press, No. 226, July-August 1997, pp. 26-29, ill.
Lavelli, Cecelia Liveriero and Franklin Lirmans, Harald Szeemann. Flash Art, vol. 30, no. 195, Summer 1997, p. 89.
McDonough, Tom. Richard Jackson at David Zwirner. Art in America, No. 12, December 1997, pp. 89-90, ill.
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1996 Spielvogel, Gudrun. 1991-1996 Galerie & Edition, Munich: Gudrun Spielvogel, 1996.
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1993 Schneckenburger, Manfred. Bright Light. Stuttgart: Brigitte March, 1993.
1992 Schimmel, Paul. Helter Skelter: L.A. Art in the 1990s. Los Angeles: Museum of Contemporary Art, 1992.
Kandel, Susan. L.A. in Review. Arts Magazine, No. 66, April 1992, pp. 98-99.
Bernard, Yves Michel. Force Sight. Stuttgart: Brigitte March, 1992.
Perkowitz, Sidney. Heat Wave. The Sciences, No. 32, March-April 1992, pp. 34-35.
Knight, Christopher. An Art of Darkness at MOCA. Los Angeles Times, January 28, 1992, pp. F1, 4-5.
Muchnic, Suzanne. Art in the City of Angels and Demons. Los Angeles Times, January 26, 1992, pp. 4-5, 76, 78.
1991 Gardner, Colin. Richard Jackson. Artforum, vol. 29, No. 6, February 1991, pp. 134-135.
1990 Fitz Gibbon, John. California A - Z and Return. Youngstown, Ohio: The Butler Institute of American Art, 1990.
Pico Pierre. Art in Los Angeles, Blind Faith 1990-1991. Los Angeles, 1990, p. 6, ill.
McKenna, Christine. Richard Jackson: Conceptual and Uncollectible. Los Angeles Times, November 27, 1990, p. F8.
1989 Hulten, Pontus. Installationen und Bilder von Richard Jackson. Glarner Nachrichten, April 20, 1989, p. 3.
Pagel, David. The Present as Future History. Artweek, January 7, 1989.
Chadwick, Susan. Critic’s Choice. The Houston Post, January 6, 1989, p. E2.
1988 Coplans, John. One of a Kind: Contemporary Serial Imagery. Los Angeles: Los Angeles Municipal Art Gallery, 1988.
Sartorius, Joachim and Rudi Fuchs. 25 Jahre Berliner Kunstlerprogram des D.A.A.D., Balkon mit Facher. Berlin: Berliner Kunstlerprogram des D.A.A.D., 1988.
Boehm, Gottfried. Critique of the Picture. Richard Jackson. Zurich: Rolf Schroeter, 1988.
Curtis, Cathy. Assessing the Current Vitality of Repetition. Los Angeles Times, December 30, 1988, Part VI, pp. 22, 26.
Johnson, Patricia C. Jackson’s Menil exhibit: Art to be experienced. Houston Chronicle, July 24, 1988, pp. 1, 16-17.
Salazar, Gregorio. Richard Jackson’s Museum of the Mind. Public News, July 20, 1988, p. 12.
Chadwick, Susan. For Richard Jackson, the Point is Painting. The Houston Post, July 17, 1988, p. 4F.
1987 Dalkey, Victoria. Major and Minor Scales: Sizing up Two Exhibits the Push at the Boundaries of Modern Art. The Sacramento Bee, November 15, 1987, pp. 8-9.
Dalkey, Victoria. Ruminations upon a Year of Ironies. The Sacramento Bee, December 27, 1987, pp. 12-13.
1986 Kohn, Michael. Point of View Artworks from the Collection of Jeffrey Kerns. San Bernardino: University Art Gallery, California State university, 1986.
March, Brigitte. Schloss Solitude- Plane und Projekte. Stuttgart: Brigitte March, 1986.
1985 Knight, Christopher. 1985 Artpark Visual Arts Program. New York: Artpark, 1985, ill.
Bannon, Anthony. Artpark’s Assertive New Installations. The Buffalo News, July 19, 1985.
Mays, John Bentley. Worthwhile Artpark Exhibit Shows Sculpture’s in a Rut. Toronto Globe and Mail, July 17, 1985.
Sax, George. ‘In Addition’ is an Amusing Tie-in to Artpark but leaves Loose Ends. The Buffalo News, July 9, 1985.
Browning, Jeffrey. An Architecture of Paint: Richard Jackson’s Installations. Arts + Architecture, vol. 3, No. 4, 1985, pp. 44-49, ill.
1984 Art as Healer. Sacramento: Weintraub Hunter Gallery, 1984.
Muchnic, Suzanne. The Galleries, La Cienega Area. Los Angeles times, November 9, 1984, Part VI, p. 10.
Muchnic, Suzanne. Jackson Sculpture: Insights from Inside. Los Angeles Times, November 3, 1984, Part VI, pp. 1, 6.
Drohojowska, Hunter. He’s the Master of the ‘Painting Event.’ Los Angeles Herald-Examiner, August 17, 1984, p. 34, ill.
Drohojowska, Hunter. Richard Jackson at the Rosamund Felsen Gallery. L.A. Weekly, August 2-9, 1984, p. 51.
Pincus, Robert L. Review. Los Angeles Times, July 27, 1984, Part VI, p. 10.
1983 Van Proyen, Mark. Grand Gesture. Artweek, July 2, 1983, p. 4.
Albright, Thomas. How an Artist Stacks Up These Days. San Francisco Chronicle, June 14, 1983, p. 42.
1982 Armstrong, Richard. Drawings by Painters. Long Beach: Long Beach Museum of Art, 1982.
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1981 Wortz, Melinda. Art in Los Angeles: 17 Projects-16 Projects. Artnews, no. 80, November 1981, pp. 161-165.
Fine Arts Gallery, California State University. Abstraction in Los Angeles 1950-1980, Selections from the Murray and Ruth Gribin Collection. Journal Contemporary Arts Magazine, no. 30, Los Angeles: Los Angeles Institute of Contemporary Arts, September-October 1981, p. 25, ill.
Wilson, William. A Museum Where Art is a Site t Behold. Calendar: Los Angeles Times, July 26, 1981, pp. 1, 92.
Schjeldahl, Peter. L.A. Demystified! The Village Voice, June 3-9, 1981, pp. 32-37.
Still, Gertrude Grace. The Reversed Canvas. Portfolio, III, January-February, 1981, pp. 48-51.
Barron, Stephanie. The Museum as Site: Sixteen Projects. Los Angeles: Los Angeles County Museum of Art, 1980, ill.
1980 Hammond, Pamela. 1000 Pictures Richard Jackson at Rosamund Felsen Gallery. Images and Issues, Winter 1980-1981, p. 45, ill.
Blaine, Michael. Painting by Construction. Artweek, September 27, 1980, pp. 1-2.
Knight, Christopher. The Great Wall of La Cienega. Los Angeles Herald-Examiner, September 18, 1980, ill.
1979 Deecke, Thomas and Edward Kienholz. Richard Jackson. Zurich: Galerie Maeght, 1979.
Jackson, Richard. Installations. Berlin: Berliner Kunstlerprogram des D.A.A.D., 1979.
Kirschner, Judith Russi. Wall Painting. Chicago: Museum of contemporary Art, 1979.
Frankel, Robert H. New York Now. Phoenix: Phoenix Art Museum, 1979.
Burnham, Jack. Painting Up Against the Wall. The New Art Examiner, May 1979, p. 4.
Kramer, Hilton. Art View: Temporary Art in the Museum. The New York Times, April 8, 1979.
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1977 Hopkins, Henry T. and Walter Hopps. Painting and Sculpture in California: The Modern Era. San Francisco: The San Francisco Museum of Modern Art, 1977.
Sultan, Donald and Nancy Davidson. Name Book I, Statements on Art. Chicago: N.A.M.E. Gallery, 1977.
Lewis, Louise. Richard Jackson’s Painting- Unexpected Echoes of Art History. Artweek, October 22, 1977, p. 7.
Bell Gallery, List Art Building, Brown University. Jack Barth, Richard van Buren, David Deutsch, Richard Jackson, James Reineking. Providence: Bell Gallery, 1977.
1976 Dunham, Judith L. Evidence of Process- Richard Jackson- Chris Darton. Artweek, November 27, 1976, pp. 1, 16.
1975 Desmond, Michael. Richard Jackson. Virtual Reality. Canberra: National Gallery of Australia, 1994.
Plagens, Peter. Both Kinds: Contemporary Art from Los Angeles. Berkeley: University art Museum, University of California- Berkeley, 1975.
Dippel, Rini. Fundamental Painting. Amsterdam: Stedelijk Museum, 1975.
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1974 Wortz, Melinda. Richard Jackson Installation. Artweek, June 1, 1974, pp. 15-16.
1973 Mayer, R. New York Bykert Gallery. Arts magazine, March 1973, pp. 72-73.
1972 Belloli, Jay. John Baldessari, Francis Barth, Richard Jackson, Barbara Munger, Gary Stephan. Houston: Contemporary Arts Museum, 1972.
Tuchman, Maurice and Jane Livingston. Los Angeles ’72. New York: Sidney Janis Gallery, 1972.
Haskell, Barbara. 15 Los Angeles Artists. Pasadena: Pasadena Art Museum, 1972.
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1971 Bunnell, Peter C. Photography into Sculpture. Richmond: Virginia Museum, 1981.
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Eagle, Joanna. The Corcoran Biennial: Hoops, Skips and Jumps. The Art Gallery, no. 14, March 1971, pp. 36-40, ill. (cover).
Plagens, Peter. Los Angeles: Richard Jackson, Charles Garabedian, Eugenia Butler Gallery. Artforum, January 1971, pp. 90-91.
1970 Sharp, Willoughby. Outsiders: Baldessari, Jackson, O’Shea, Ruppersberg: Outdoor Sculpture Projects. Arts Magazine, Summer 1970, p. 45.
Terbell, Melinda. Eugenia Butler Gallery, Los Angeles. Arts Magazine, December 1970 - January 1971, p. 49.
1969 Howard, William V. Painting 1969. Reno: University of Nevada, 1969.