Kemper Museum of Contemporary Art, Kansas City, MO
Galerie Anita Beckers, Frankfurt,Germany

Numark Gallery, Washington, D.C.

Leslie Tonkonow Artworks + Projects, New York
Nikki S. Lee, Printemps de Septembre, Toulouse, France
The Cleveland Museum of Art, Cleveland, OH

Galeria Senda, Barcelona, Spain
Clough-Hanson Gallery, Rhodes College, Memphis, TN

Leslie Tonkonow Artworks + Projects, New York
The Institute of Contemporary Art, Boston
Yerba Buena Center for the Arts, San Francisco
Museum of Contemporary Photography, Chicago

Gallery Gan, Tokyo
Stephen Friedman Gallery, London

Leslie Tonkonow Artworks + Projects, New York



Clothesline: Art, Clothing, Identity, Sante Fe Art Institute, Sante Fe, NM
Artists Interrogate: Race and Identity, The Milwaukee Art Museum
The Jewish Identity Project: New American Photograpy, The Jewish Museum, New York
Maximum Flavor, Atlanta College of Art Gallery, Atlanta, GA
Morir de Amor, Museo Nacional de Ciencias y Artes, Mexico City
Things Fall Apart, Monique Meloche Gallery, Chicago, IL
Focus On: New Photography, Norton Museum of Art, West Palm Beach, FL
Manufactured Self, Museum of Contemporary Photography at Columbia College, Chicago,IL
A Kiss Isn’t Just A Kiss, Contemporary Galleries, University of Connecticut in Storrs,CT
How to Read, The Bronx Museum of the Arts, New York
Say It Loud! A Hip Hop Conversation, State University of New York at Stony Brook, NY
Will Boys Be Boys? (curated by Shamim Momin), Independent Curators International, Museum of Contemporary Art, Denver, CO; Indianapolis Museum of Art, Indianapolis, IN; Johnson Museum of Art, Cornell University, Ithaca, NY
White: Whiteness and Race in Contemporary Art, International Center of Photography, New York.


In Focus: Themes in Photography, Albright-Knox Art Gallery, Buffalo, NY
Beauty Matter, Tina Kim Fine Art, New York
Self Exposed, Daiter Contemporary, Chicago, IL
Picturing Modernity: Photographs from The Permanent Collection, San Francisco Museum of Modern Art
Contested Fields, The Des Moines Art Center, Des Moines, IA
Only Skin Deep: Changing Visions of the American Self, Seattle Art Museum, WA
Portraits and Places: Recent Acquisitions to the Permanent Collection, BronxMuseum of the Arts, NY
Sublime Audacity - The Stroller's Experience, Galeria Luis Serpa, Lisbon, Portugal
Exhibiting Signs of Age, Colby College, Waterville, ME
Sugar and Snails, The Park School of Baltimore, Brooklandville, MD
Double Takes: Transformations Through the Lens, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY
If it's not love, it's the bomb, Center for Curatorial Studies, Bard College, Annandale-on-Hudson,NY
Disguise, Manchester Art Gallery, Manchester, UK
Imag(in)ing Western Culture, The Sheldon Art Galleries, Saint Louis,MO
Contemporary Photography from the Harn Museum Collection, Samuel P. Harn Museum of Art, Gainesville, FL

Istanbul Biennial
Exhibiting Signs of Age, Berkeley Art Museum, University of California, Berkeley, CA
Only Skin Deep: Changing Visions of the American Self, International Center of Photography, New York
Skin Deep, Numark Gallery, Washington, D.C.
American Dream, Ronald Feldman Fine Art, New York
Harlem Postcards II, Winter 2003, The Studio Museum in Harlem, New York
Somewhere Better Than This Place, The Contemporary Arts Center, Cincinnati, OH
White: Whiteness and Race in Contemporary Art, Center for Art and Visual Culture, University of Maryland, Baltimore County
Me, Myself & I: Looking at Portraiture, CRG Gallery, New York
Framing the Real, Center for Curatorial Studies, Bard College, Annandale-on-Hudson,NY

Who? Me? Role-Playing in Self-Portrait Photography, Zabriskie Gallery, New York
Character and Choice: Nikki S. Lee, Yasumasa Mormura and Tomoko Sawada, Japan Society, New York
The Brixton Studio, The Photographers Gallery, London
Liverpool Biennial, Tate Liverpool
Hello My Name Is . . ., Carnegie Museum of Art, Pittsburgh, PA
Open City: Street Photographs 1950-2000, Museo de Bellas Artes de Bilbao, Spain; Hirshhorn Museum and Sculpture Garden, Washington D.C.
One Planet Under a Groove: Hip Hop and Contemporary Art, Walker Art Center, Minneapolis, MI
Tribe, Rena Bransten Gallery, San Francisco
Portrait as Performance, Contemporary Art Center of Virginia, Virginia Beach, VA; Hand Workshop Art Center, Richmond, VA
Mirror Image, The Hammer Museum of Art, UCLA, Los Angeles
Fukuoka Asian Art Triennale, Fukuoka Asian Art Museum, Fukuoka, Japan
Pictures, Greene Naftali, New York
Women by Women, Cook Fine Art, New York
Presenting/Receiving: Subjecting Photography, Center for Photography, Woodstock, NY

One Planet Under a Groove: Hip Hop and Contemporary Art, The Bronx Museum of the Arts, Bronx, NY
Purloined, Artists Space, New York
Fresh: Recent Acquisitions, The Albright Knox Art Gallery, Buffalo, NY
Recent Acquisitions, The Metropolitan Museum of Art,New York
Subject Plural: Crowds in Contemporary Art, Contemporary Arts Museum, Houston, TX
Open City: Street Photographs 1950-2000, The Museum of Modern Art, Oxford, UK; The Lowry,Salford Quays, UK
Bodily Acts, Center for Curatorial Studies, Bard College, Annandale-on-Hudson,NY
The Volatile Real, Center for Curatorial Studies, Bard College, Annandale-on- Hudson, NY
Chelsea Rising, The Contemporary Arts Center, New Orleans, LA
Tell It Like It Is: Photography, Diehl Vorderwülbecke, Berlin, Germany

Staged and Manipulated: Photographic Fictions from St. Louis Collections, The Saint Louis Museum of Art, Saint Louis, MO
The Museum of FineArts, Houston,TX
The Bigger Picture, The Art Gallery of Ontario, Toronto
Reflections in a Glass Eye: Works from the International Center of Photography Collection, International Center of Photography, New York
Process/Reprocess: Japan and the West, Leslie Tonkonow Artworks + Projects, New York
Greater New York, MoMA/PS 1, Long Island City,NY
The Kwangju Biennale, Kwangju, Korea
DéjàVu, Art Miami 2000, Miami, FL
Represent: A Show of Identities, The Parrish ArtMuseum, Southhampton,NY

Who's That Girl? Teseco Fondazione per l'Arte, Pisa,Italy
The Likeness of Being: Contemporary Self-Portraits by Fifty Women Artists, DC Moore Gallery, New York
ID Y2K: Identity at the Millenium, The College of NewRochelle, New Rochelle, NY

Mug Shots, The Atrium Gallery, University of Connecticut, Storrs, CT
Guarene Arte 99, Fondazione Sandretto Re Rebaudengo Per L'Arte, Turin,Italy
The Calendar Project, Center for Curatorial Studies, Bard College, Annandale- on-Hudson, NY
Who's That Girl? Sandra Gering Gallery, New York
Generation Z, PS 1, Long Island City, NY
Open: Nikki S. Lee: Projects, Real Art Ways, Hartford,CT
Full Exposure: Contemporary Photography, New Jersey Center for the Arts, Summit, NJ
No Place Rather Than Here, 303 Gallery, New York
The Cultured Tourist, Carol Ehlers Gallery, Chicago

The Cultured Tourist, Leslie Tonkonow Artworks + Projects, New York


Hirshhorn Museum & Sculpture Garden, Washington, D.C.
The Museum of Contemporary Art, Los Angeles
San Francisco Museum of Modern Art
Milwaukee Art Museum
Norton Museum of Art, West Palm Beach, FL
The La Salle Bank, Chicago,IL
Los Angeles County Museum of Art, Los Angeles, CA
Albright-Knox Art Gallery, Buffalo, NY
The Center for Curatorial Studies, Bard College, Annandale on Hudson, NY
The Fukuoka Asian Art Museum, Fukuoka, Japan
Solomon R. Guggenheim Museum,New York
Samuel P. Harn Museum of Art, The University of Florida, Gainesville, FL
International Center of Photography,New York
Metropolitan Museum of Art,New York
The Bronx Museum of the Arts, New York
Colby College Museum of Art, Waterville, MA
The Museum of Contemporary Photography, Chicago, IL
The Museum of FineArts, Houston
The New School, New York
Sinex Collection, Oslo, Norway
The Saint Louis ArtMuseum, St. Louis,MO
The Spencer Museum of Art, The University of Kansas, Lawrence,KS
Progressive Corporation, Cleveland,OH
The Refco Collection, Chicago, IL


Muzzi, Claudia. “The Talented Ms. Lee,” Codigo 06140, February – March 2005
Turner, Elisa. “Behind the Lens: Exhibit at Norton Redifines Portraits,” The MiamiHerald.com, Sunday, May 1, 2005
Feaster, Felicia. “Buy and Large,” Atlanta Creative Loafing, June 2, 2005
Funcheon, Deirdra. “The Inner Lens,” New TimesBroward-Palm Beach, March 3, 2005
Sjostrom, Jan. “Norton Exhibit tells Visual Secrets,” Palm Beach Daily News, Wednesday, May 11, 2005
Aletti, Vince. The Village Voice, November 17, 2003
Alton, Jeannine. "Lots to Enjoy and Ponder," The Oxford Times, May 11, 2001
"Photography," Chicago Reader, July 6, 2001
Zoom, July-August 2001
"Nikki S. Lee," Boston Phoenix, July 20, 2001
"Instituteof Contemporary Art To Display Nikki S. Lee Photographs," Antiques & The Arts Weekly, June 15, 2001
“CarnegieMuseum of Art Introduces Emerging Artists Through Their Self-Portraits,” Antiques & The Arts Weekly, July 5, 2002
"I’m Everybody," Dutch, Issue 36, November/December 2001
Arning, Bill. "The Cultured Tourist," Time Out New York, December 3, 1998
Banai, Nuit. "Culture Chameleon," One World Magazine, April/May 2002, pp. 106–107
Banks, Waris. "People of Pallor," City Paper, October 2003
Barker, Paul. "All The World’s A Street," The Independent on Sunday, April 15, 2001
Basilico, Stefano. "Without you, I’m nothing," Time Out New York, Issue No. 319, November 8-15, 2001
Berger, Maurice. "Picturing Whiteness: Nikki S. Lee’s Yuppie Project," Art Journal, Winter 2001, pp. 55–56
Berger, Maurice. White: Whiteness and Race in Contemporary Art, University of Maryland Baltimore County, D.A.P, New York, 2004
Boxer, Sarah. "The Street Game Is To Be Distinctive Without Seeming To Work At It," The New York Times, Friday, July 5, 2002
Brennan, Eddie. "Nikki S. Lee," The Fader, Number 10, Winter 2001/02, p. 100
Brougher, Kerry. "The Camera in the Street," in Open City: Street Photographs Since 1950 Oxford, UK: The Museum of Modern Art,Oxford/Hatje Cantz, 2001
Blair, Dike. "Nikki Lee," Art, June 2000
Brakewood, John Peter. "Planète Hip Hop," Art Actuel, 2002
Bush, Kate. “The Latest Picture,” in Douglas Fogle, The Latest Picture Show: Artists Using Photography 1960 – 1982, Walker Art Center, Minneapolis: 2004
Camhi, Leslie. "A Forgotten Gender Bender," ARTnews, November 1999
Camhi, Leslie. "The Cultured Tourist," The Village Voice, November 24, 1998
Campello, Lennox. "Gallery Beat," Old Town Crier, July 2002
Cannon, Paul Lee. "Identity Crises", Korean Journal, September 2001, volume 12, Number 9, pp. 26–27
Caramanica, Jon. "Hip-Hop Don’t Stop," The Village Voice, January 15, 2002
Clark, Vicky. "The ‘I’ of the Beholder," Pittsburgh City Paper, August 21, 2002
Clifford, Katie. "Nikki S. Lee," ARTnews, March 2002, p. 121
Cotton, Charlotte. The Photograph As Contemporary Art, Thames and Hudson ltd., London, 2004
Cotter, Holland. "Nikki S. Lee," The New York Times, September 10, 1999
Cruz, Amada. "Nikki S. Lee," in Fresh Cream, London: Phaidon, 2000
Damian, Carol. "Art Miami 2000," Art Nexus, No.36, May-July 2000
Dalton, Jennifer. "Look at Me: Self-Portrait Photography After Cindy Sherman," PAJ: A Journal of Performance and Art, No. 66, September 2000, Vol.XXII, No.3
Damsker, Matt."Photo, Video Exhibits Show Off RAW Galleries," The Hartford Courant, June 1999
D’Alleva, Anne. "Identity List," New Observations 124, Winter 2000
Dawson, Jessica. " The Darkness of White," The Washington Post, December 4, 2003
Dawson, Jessica. “The Artist’s Pare of Lovers,” The Washington Post, July 8, 2004
De Brugerolle, Marie. Documents 11, Autumn/Winter 1997/98
DiPietro Monty. "Identity Found Among Shifting Personas," The Japan Times, October 28, 2000
Doherty, Claire. "Liverpool Biennal," Art Monthly, Volume 261, November 2002, pp. 38–40
Douglas, Sarah. The Art Newspaper, No. 141, November 2003
Duffy, Aaron. "Through My Lens," TeenSpeak, Volume 3, Issue 2, Spring 2002, p. 5
Ebner, Jorn." Momentaufnahmen aus der Daseins-Arena," Frankfurter Allgemeine Zeitung, February 19, 2000
Elbies, Jeffrey. "Nikki S. Lee, Roles of a Lifetime", American Photo, March-April 2000
Ellis, Samantha. "Watching Me and You," Evening Standard, January 27, 2000
Exley, Roy. "Nikki Lee," Creative Camera, Issue 361, December 1999
Falconer, Morgan. "Street Life," Art Review, June 2001
Feaster, Felicia. "Grrrl Power," Atlanta Creative Loafing, November 27-December 3, 2002
Ferguson, Russell. "Let’s Be Nikki," in Nikki S. Lee: Projects. Ostfildern-Ruit: Hatje Cantz, 2001
Ferguson, Russell. "Open City: Possibilities of the Street," in Open City: Street Photographs Since 1950 Oxford, UK: The Museum of Modern Art,Oxford/Hatje Cantz, 2001
Finkelpearl, Tom. "Kwangju Biennial, The Curators’ Gossip," Flash Art, Summer 2000
Finkelpearl, Tom. "Nikki S. Lee," in Man + Space, Kwangju Biennale 2000 (catalogue)
Foran, Charles, "Lingua Franchise", The Walrus, December 2003
Funcheon, Deirdra. “The Inner Lens,” New Times, March 3 – 9, 2005
Fujimori, Manami. "Nikki S. Lee," Bijutsu Techo, January 2000
Fujimori, Manami. "Nikki S. Lee," Very New Art: 100 Artists of the Year 2000, Tokyo: Bijutsu Shuppan-Sha, Ltd., 2000
Garboden, Clif. "The Social Scene and Nikki S. Lee," The Boston Phoenix, August 10–16, 2001
Garulli, Lavinia, "Nikki S. Lee," Flash Art, December 2003
Gilman-Sevcik, Frantiska & Tim. "New York’s Mega-Shows," Flash Art, May-June 2000
Glueck, Grace. "A Universe of Art, Spanning the Centuries and Centered in Boston," The New York Times, August 17, 2001
Godfrey, Mark. "Nikki S. Lee," Frieze, Issue 52, May 2000
Goodman, Jonathan. "Greater New York," Contemporary Visual Arts, Issue 29
Gopkin, Blake. “Just Point and Shoot (But Plan First!),” The Washington Post, June 23, 2002
Gopnik, Blake. “Art and Race, Making a Memorable Appearance,” The Washington Post, April 6, 2003
Halkin, Talya. “”Art & Letters: Gallery Going,” The New York Sun, January 16, 2003
Hamilton, William. "Dressing the Part Is Her Art,", The New York Times, Sunday Styles, December 2, 2001
Harris, Jane. "When in Rome," Artext, Summer 2002
Hoffmann, Frank. "Report from Kwangju: Monoculture and Its Discontents," Art in America, November 2000
Homes, A.M. "Hot Shots," Harpers Bazaar, February 2000
Honigman, Ana. "Nikki S. Lee," Flash Art, January-February 2002
Highet, Alistair. "Real Art Waves," The Hartford Advocate, June 24, 1999
Hunt, David. "Self Evident," Smock, Volume 2, No.1, Winter 2002
Hyland, John. "Seoul, South Korea by Nikki S. Lee," The New York Times Magazine (Fashions of The Times, Part 2), Fall 2000
Irvine, Karin. “Self Exposed,” catalogue, Daiter Contemporary, 2004
Jana, Reena. "Nikki S. Lee," Art Index by Gabrius, # 0, Summer 2002, p.76
Johnson, Ken. "Nikki S. Lee, Parts," The New York Times, November 2003.
Johnson, Ken. "The Game Show," The New York Times, February 6, 2004.
Ju-Hee, Kwon. “Nikki Lee,” J.J. Magazine, November 2001, pp. 148–153
Kaufman, Hayley. “Social clarification,” The Boston Globe, August 9, 2001
Kerr, Merrily. “Lil’Nikki ‘n’ Friendz," New York Arts Magazine, October 2001, p. 78
Kerr, Merrily. “An Interview with Franklin Sirmans,” New York Arts Magazine, January 2002, pp. 20–22
Kerr, Merrily. "Breaking Up Is Hard To Do," Flash Art, November 2003, pp.81–85
Kerwin, Jessica. “Faking It,” W Magazine, September 2001
Kerwin, Jessica. "In the Cut", Women Wear Daily, November 2003
Kim, Jinyoung. “Four portrait photographers,” Haute, Vol. 8, no. 85, October 2001, pp. 80-84
King, Andrew. “Fantastique Voyage,” Panorama, August 6, 2001
Kino, Carol. “Surveying the Scene II, The Emergent Factor,” Art in America, July 2000
Lawson, Whitney. “Nikki S. Lee,” The New Yorker, November 5, 2001
Lawrence, Sidney. “One with Everything,” Artnet, August 2004
Lee, Carol, “Camera Chameleon,” Paper Magazine, April 2003
London, Barbara. “Nikki Lee,” Art, June 2000
Lopez, Vanessa. "WHITE: Whiteness and Race in Contemporary Art," Baltimore Arts & Culture, October 2003
Lopez, Luciana. “Hip-Hop Planet,” URB 91, March 2002, p. 48
Lyon, Danny. “Nikki S. Lee: Projects,” Aperture, Summer 2002, No. 167, pp. 6-8
Mahoney, Robert. “No Place Rather Than Here,” Time Out New York, April 29-May 6, 1999
McCaffery, Damien. “Under the Influence,” Vibe, January 2002, pp. 105-107
McCracken, David. “The Cultured Tourist,” C Magazine, May-August, 1999
McLeod, Dayna. "Stretching Identity to Fit: The Many Faces of Nikki S. Lee," CV Photo, Spring 2004
McNatt, Glen. "Exploring the Unconscious Power of Whiteness", SunSpot.net, November 2003
Michalski, Laura. “Hidden Depth Exhibition Highlights Art of Disguise,” The Guardian, February 12, 2004
Minus White, Renee. “Bronx Museum shows Hip Hop as Art,” The New York Amsterdam News, November 1–7, 2001
Minkoff, Myrna. “Lesbiennes, has been?” Blast, May/June 2003
Mitchell, Claire. "I'll Be Your Mirror", Nylon, November, 2003
Momin, Shamim. “Nikki S. Lee,” Art Asia Pacific, Issue 37, 2003
Morgan, Robert. "The Globalized Artist in the New Millenium," Sculpture, October 2000
Morsiani, Paola. Subject Plural: Crowds in Contemporary Art. Houston, TX: Museum of Contemporary Art, 2001 (catalogue)
Moss, Jeanne. "Interview," CNN (broadcast internationally), October 1999
Moya, Eva. "Las mil vidas de Nikki S. Lee," El Periódico, September 27, 2002, p.17
Murray, Derek Conrad. “Hip-Hop vs. High Art: Notes on Race as Spectacle,” Art Journal, Summer 2004
Muther, Christopher. "Sid and Nancy Redux," The Boston Globe, August 8, 2001
Muzzi, Claudia. “The Talented Ms. Lee,” Codigo 06140, February – March 2005
Nicholson, Amy. "Nikki Lee: Blending diversity with her camera," Standard-Examiner, Friday, April 19, 2002
O’ Sullivan, Michael. "Hirshhorn’s Gritty Open City," The Washington Post Weekend, Friday, July 5, 2002
O’ Sullivan, Michael. “Nikki S. Lee: New Guises, New Gazes,” The Washington Post Weekend, Friday,
July16, 2004
Ottmann, Klaus. "I AM: A New Humanism in American Art and Design," Domus, June 1999
Ottmann, Klaus. "Man and His Environment at the Kwangju Biennale," Domus, June 2000
Parcellin, Paul. "In Focus: Nikki S. Lee," Retro-Rocket.com, August 31, 2001
Pederson, Victoria. Paper, October 2001
Pederson, Victoria; Valdez, Sarah. "Art Attack: Nikki S. Lee," papermag.com, November 2001
Pinchbeck, Daniel. "Putting Themselves in the Picture," The Art Newspaper, September 1999
Pollack, Barbara. "Nikki S. Lee," Flash Art, January-February 2000
Polirigau, Marta. “Una Experiència sobre Immagracío,” Avui, October 17, 2002
Pugh, Rachel. “Yes, It Is the Same Woman,” Manchester Evening News, February 2004
Remy, Patrick. "Les Tribus de La Grosse Pomme", Mixte, October 2003
Rexer, Lyle. "Only Skin Deep," Art on Paper, March/April, 2004
Robinson, Lisa. "Under 21, The Young & Cultural," The Boston Globe, August 2, 2001
Rodriguez, Celia. “Ciudad abierta. Fotografía urbana 1950 – 2000,” Periodico Bilbao, March 2002
Rosenberg, Beth. “camera chameleon,” Bust Magazine, Summer 2004
Rosenfeld, Kathryn. "Nikki S. Lee," The New Art Examiner, November-December 2001
Sáenz de Gorbea, Xabier. "Ciudades abiertas," Deia, March, 29, 2002
Sajin Bipyung. The Quarterly Photography Criticism, Vol. II, Seoul, Korea
Saltz, Jerry. "Decoy and Daydreamer," The Village Voice, September 28, 1999
Schaffner, Ingrid. "The Cultured Tourist," Art on Paper, January-February, 1999
Schmerler, Sarah. "Generation Zzzzzzz," Time Out New York, May 20-27, 1999
Schwabsky, Barry. "Openings: Nikki S. Lee," Artforum, September 1999
Schwendener, Martha. "New York Critic’s Picks: Nikki S. Lee," Artforum online, November 2001
Schutz, Heinz. "Filme und Identitäten," Kunstforum International, April-June 1998
Sengara, Lorissa. "Nikki S. Lee," Canadian Art, Spring 2004
Sharratt, Chris. "Art Review, Liverpool Biennal," metro uk (Manchester), September 2002
Shaw-Eagle, Joanna. "Reflecting on Modern Society," The Washington Times, June 22, 2002
Shaw, Kurt. "Saying ‘Hello’," Pittsburgh Tribune Reviews, July 5, 2002
Silver, Joanne. "ICA Frames Photographic Era," Boston Herald, July 20, 2001
Silver, Joanne. "Documentary photos at ICA," Boston Tab, July 27, 2001
Sirmans, Franklin. "Kwangju," Newsweek - The International Newsmagazine, October 8, 2001
Sischy, Ingrid. "Great Pretenders," The New York Times Magazine (Fashions of The Times, Part 2 ), Spring 2002
Small, Irene V. "Spectacles of Invisibility: The Photography of Tseng Kwong Chi and Nikki S. Lee," Art Asia Pacific, Issue 28, 2000
Smith, Roberta. "More Space for Young Artists," The New York Times, February 19, 1999
Smith, Roberta. "In the Orbit of Funk and Hip-Hop," The New York Times, January 18, 2002
Sonkin, Rebecca. "The 13 Faces of Nikki Lee," Elle, August 2001, Volume XVI, Number 12, No. 192
Spector, Nancy. "Nikki Lee," Guarene Arte 99. Turin: Sandretto Re Rebaudengo Foundation for the Arts, 1999 (catalogue)
Sumpter, Helen. "Snap Shot, I Spy," The Big Issue, 24-30 January, 2000
Stamets, Bill. "The Cultured Tourist," The New Art Examiner, April 1999
Takahashi, Corey. "One World, One Groove," Newsday, Friday, October 26, 2001
Temin, Christine. "ICA Exhibits Focus on Bleak Society," Boston Globe, July 20, 2001
Trebay, Guy. “Shadow Play,” The New York Times Magazine, September 19, 2004
Triming, Lee. "The Liverpool Biennial," Flash Art, November-December 2002, p. 41-50
Uberquoi, Marie-Claire. "Nikki S. Lee," El Cultural (El Mundo), October 17, 2002
Valdez, Sarah. "Nikki S. Lee at Leslie Tonkonow," Art in America, April 2002, pp. 149-150
Van Gelder, Lawrence. "Through a Lens," The New York Times, May 30, 2002
Vicario, Gilbert. "Conversation With Nikki S. Lee," in Nikki S. Lee: Projects. Ostfildern-Ruit: Hatje Cantz, 2001
Vidal, Jaume. "A dins I a for a," El Pais, September 26, 2002
Waltener, Shane. "The Real Nikki," Modern Painters, Spring 2004.
Waltener, Shane. "Beaux Gestes," Modern Painters, Winter 2003.
Ward, Ossian "Who's that Girl," Art Review, October 2003
William, Gilda. “What Are You Looking At?,” Tate Etc., Autumn 2004
Winant, Howard. " The Theoretical Status of the Concept of Race" in Only Skin Deep, ICP, New York, 2003
Yablonsky, Linda. " To Thine Own Selves be True", ARTnews, November 2003
Yang, Ji Hyun. "Interview," The Korea Central Daily News, New York, December 1998
Zandstra, Freya. "Metamorfosen," HP/DETIJD, February 11, 2000


The Louis Comfort Tiffany Foundation, 2002


MA in Photography, New York University, 1999
AAS, Fashion Institute of Technology, New York, 1996
BFA, Chung-Ang, College of Arts, University of Korea, 1993